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	<title>Print Design Tips &#187; Tips</title>
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	<link>http://printdesigntips.com</link>
	<description>Tips and Information About Printing</description>
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		<title>Marketing Project Creativity and Management – Part Two</title>
		<link>http://printdesigntips.com/marketing-project-creativity-and-management-%e2%80%93-part-two/</link>
		<comments>http://printdesigntips.com/marketing-project-creativity-and-management-%e2%80%93-part-two/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 01:59:40 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=184</guid>
		<description><![CDATA[Managing the marketing and creative process is essential and for many, it is a headache. It doesn’t have to be and in this post we conclude our hints and advice for managing a project successfully, through to completion and beyond. Sketches Work Always do a rough draft of what you think the finished piece ought [...]]]></description>
			<content:encoded><![CDATA[<p>Managing the marketing and creative process is essential and for many, it is a headache.  It doesn’t have to be and in this post we conclude our hints and advice for managing a project successfully, through to completion and beyond.</p>
<p><strong>Sketches Work</strong></p>
<p>Always do a rough draft of what you think the finished piece ought to look like.  Usually it is the most appropriate version and with refinement ends up as the finished product.  Once you have drawn up initial drafts, leave them for a couple of days and come back to them – this gives you a good perspective on the proposal and you can focus on the design rather than the content.</p>
<p>Don’t underestimate the power of a rough visual or draft for everyone involved.</p>
<p><strong>Work with Your Print Partner</strong></p>
<p>When you are working with a commercial print partner, use them as a design and advice resource. There is probably very little you are attempting that they haven’t tried a dozen times or more in the past.  They are a great knowledge resource so use them.</p>
<p><strong>Edit and Review</strong></p>
<p>Editing is known as the butcher’s trade but it is vital – editing will improve the finished product by simplifying and clarifying the message as well as avoiding embarrassing mistakes.  By getting others to review the work-in-progress, you can assess how effective the project is going to be in the real-world when it comes time for it to be unleashed on the target audience.</p>
<p><strong>Use the Professionals </strong></p>
<p>If you are unable to string a sentence together – hire a writer.  If you have no idea on color or layouts – hire a designer.  If you cannot come up with high quality photographs – hire a photographer.  The bottom line is that if you find it difficult to work as a writer, editor, photographer, designer then you need help and short-changing on a professional-looking, finished product can undermine your entire effort.</p>
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		<item>
		<title>Marketing Project Creativity and Management – Part One</title>
		<link>http://printdesigntips.com/marketing-project-creativity-and-management-%e2%80%93-part-one/</link>
		<comments>http://printdesigntips.com/marketing-project-creativity-and-management-%e2%80%93-part-one/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 01:46:02 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=182</guid>
		<description><![CDATA[The longest project is the one you don’t get started, and frequently where to begin is a problem. Knowing where to start is a boon, so here we’re going to cover some structure to provide over the creative process and which will help you manage the whole process while keeping it on track to help [...]]]></description>
			<content:encoded><![CDATA[<p>The longest project is the one you don’t get started, and frequently where to begin is a problem.  Knowing where to start is a boon, so here we’re going to cover some structure to provide over the creative process and which will help you manage the whole process while keeping it on track to help your business.<br />
It doesn’t matter whether you are creating a marketing brochure or a humble flyer, the principles are all the same, however you will need more of these basics applied when you deal with more complicated or larger projects.</p>
<p><strong>The Marketing Blueprint</strong></p>
<p>Establish a blueprint and then stick to it – this is your guide through the desert, so while you may exercise flexibility, you also should be careful that everyone is sticking to the plan too.  A blueprint helps you be effective, stick to budget and be able to measure the results against your benchmark standards.</p>
<p><strong>Review Examples</strong></p>
<p>Find examples of work which has already been done, either by you or by someone else, especially competitors.  Look at how this has been approached in the past and what has worked and what has not.  Distil the best from this and apply it to the project at hand.  </p>
<p><strong>Think Benefits Not Features</strong></p>
<p>Benefits are succinct and to the point – they show a customer or prospect how your product or service will satisfy their needs.  They personalize the proposal to the client.  Features on the other hand, simply list what the product is and that is a waste of space – ask yourself when the last time was when you read the specifications pages of a piece of electronic equipment such as your home TV?  Never!  You bought the TV because it looked good and the advertizing told you it had the biggest, brightest, most channels, lightest, eco-friendly, thinnest feature “which meant that” you loved it because it solved a problem you had or catered for your particular need.</p>
<p><strong>This post is continued in Part Two</strong><em></p>
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		<title>Effective Company Newsletter Tips</title>
		<link>http://printdesigntips.com/effective-company-newsletter-tips/</link>
		<comments>http://printdesigntips.com/effective-company-newsletter-tips/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 01:32:47 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Printing]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=180</guid>
		<description><![CDATA[Customer newsletters are one way of keeping yourself connected to your customers and prospects. Good newsletters inform and educate and bring interesting information and opportunities to the reader. Just as there are good newsletters there are bad ones, so take a look at these fast tips to ensure you create the former and not the [...]]]></description>
			<content:encoded><![CDATA[<p>Customer newsletters are one way of keeping yourself connected to your customers and prospects.  Good newsletters inform and educate and bring interesting information and opportunities to the reader.  Just as there are good newsletters there are bad ones, so take a look at these fast tips to ensure you create the former and not the latter.</p>
<p><strong>Be Relevant, Be Meaningful</strong></p>
<p>We touched on this briefly; to be interesting you need to be relevant and give meaningful information.  Readers will follow what you have to say, but to be sure you are not simply sending tomorrow’s trash complement the promotional, sales orientated aspects of the newsletter with practical tips and advice or Q&#038;A’s.</p>
<p><strong>Use Templates </strong></p>
<p>You don’t have to re-invent the wheel and there is no need to have journalistic or editorial experience.  There are plenty of newsletter templates already designed and freely available for you to use – save time and energy, not to mention money, and select a template for you to populate with your content.</p>
<p><strong>Write for Your Audience</strong></p>
<p>Address the reader directly – we know you can’t call them by their name, but you can refer to them as “You” or “Your”, avoid using “Their’s” or “Them” because you are talking about someone else and be ruthless with using “I” or “Us” because you are now just talking about yourself.  You can also include items which the audience can use such as calendars of trade events or deadlines, coupons and special pricing promotions as well as including your contact information in a handy format.</p>
<p><strong>Use Your Customers</strong></p>
<p>Everyone likes to see their names and faces in print, and your newsletter is no exception.  Use your existing customers as case studies in your newsletter so they see how you solved their problems – this is a great testimonial for your business.</p>
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		<title>Unique Logo Design Issues</title>
		<link>http://printdesigntips.com/unique-logo-design-issues/</link>
		<comments>http://printdesigntips.com/unique-logo-design-issues/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 20:11:47 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=170</guid>
		<description><![CDATA[Logos are an integral part of creating your business identity and they are especially valuable when it comes to creating a brand. You need to have a logo which is unique and the reasons for this are two-fold. First, a unique logo will satisfy the desire of many people to have a visual representation of [...]]]></description>
			<content:encoded><![CDATA[<p>Logos are an integral part of creating your business identity and they are especially valuable when it comes to creating a brand.</p>
<p>You need to have a logo which is unique and the reasons for this are two-fold.</p>
<p>First, a unique logo will satisfy the desire of many people to have a visual representation of your business.  Visual imagery is powerful and especially when the visual imagery (your logo) becomes associated with your business directly.   If your logo is not unique or is too similar to another logo, then people will become confused and you will experience a dilution in your brand identity.</p>
<p>The second reason your logo must be unique is because if it is too similar or borrowed from someone else, you are likely to find yourself infringing a string of laws to protect “intellectual property”, i.e. the logo you have taken from someone else&#8217;s design.</p>
<p>You company logo does not need to be complicated – a simple design will suffice, but it is essential that it is sufficiently unique to separate it from any other. A simple design will also lend itself to more easily embedding itself in the minds of those who see it and it will become more quickly associated with your business.</p>
<p>It is important that the logo you decide upon will properly reflect your business image.  You wouldn&#8217;t use a toilet seat for a law firm, and you wouldn&#8217;t use some representation of the scales of justice for a plumbing company.  The two images or concepts may make a good basis for a logo but only if they are more obviously associated with what your business does.</p>
<p>Using a logo is one of the most effective and powerful ways to create a brand identity and increase your business impact on the consciousness of your markets.  </p>
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		<title>Maximizing Ad Performance with Better Design</title>
		<link>http://printdesigntips.com/maximizing-ad-performance-with-better-design/</link>
		<comments>http://printdesigntips.com/maximizing-ad-performance-with-better-design/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 20:09:40 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=168</guid>
		<description><![CDATA[Print ads, whether in the newspaper or on a flyer, work well if you grasp and understand what their purpose is and pitch them properly at your target audience. First of all, don&#8217;t try to make your ads do everything – decide on what the objective is and focus on creating the ad which will [...]]]></description>
			<content:encoded><![CDATA[<p>Print ads, whether in the newspaper or on a flyer, work well if you grasp and understand what their purpose is and pitch them properly at your target audience.  </p>
<p>First of all, don&#8217;t try to make your ads do everything – decide on what the objective is and focus on creating the ad which will serve its purpose. Advertizing appeals to people on many different levels – emotional, psychological, values and beliefs, rationality and experience.  This means that one ad or technique cannot satisfy all of your goals and objectives – you need to carefully craft your ad so it becomes the right tool for the job you have in mind.</p>
<p>Advertizing is not about educating people, it is not about raising awareness, it is not about building brand recognition – advertizing is about SELLING!  While you may wish to have a stunning piece of art which will win awards at the “Ad Man Convention Awards in Whereversville”, the primary objective is to sell.  Create an attention grabbing piece, use good, simple English to create interest and facilitate the reader making a decision and finally, always have a call to action, i.e. buy the product or service!</p>
<p>Make sure you have identified who is in your target market – you must use this information to create the path for them to take from initial attraction to the ad and the path they follow through to making the order or other call to action.  Who you are pitching the ad at will determine the approach you take in selling to them – selling to women, you will language and imagery which appeals to them, selling to the elderly, you will not place the ad in a youth magazine.  This will also affect the tone of the ad pitch as to whether it is an emotional sell or one based more on rational appeal to someone with prior experience.</p>
<p>In a nutshell – identify the target audience – decide on the objective of the ad – use AIDA (Attention, Interest, Decision and Action).</p>
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		<title>Business Card Design Tips</title>
		<link>http://printdesigntips.com/business-card-design-tips/</link>
		<comments>http://printdesigntips.com/business-card-design-tips/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 20:06:53 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=166</guid>
		<description><![CDATA[The humble business card is probably the most important and powerful business stationery tool for promoting your business and yourself. Making the most out of this extremely popular and never-sleeping salesman is essential for your business, so while there is no hard and fast set of rules to designing them, here are some tips and [...]]]></description>
			<content:encoded><![CDATA[<p>The humble business card is probably the most important and powerful business stationery tool for promoting your business and yourself.  Making the most out of this extremely popular and never-sleeping salesman is essential for your business, so while there is no hard and fast set of rules to designing them, here are some tips and guide pointer to help you.</p>
<p><strong>Text Size</strong></p>
<p>The most important aspect of the visual impact is the size of the text – too small, and the reader will not be able to use it easily, too large and it looks ungainly and clumsy as it clashes with other visual elements on the card.</p>
<p>Use the following text sizes as you design the initial draft of your business card:</p>
<p>Address and Contact Information – use 7 or 8 point text size (but never less than 6 points)<br />
Name – this should be 1 point larger than then address and contact information text size<br />
Title – use one point less than the address information<br />
Business name – use a minimum of 12 point</p>
<p>If you include a tag line or logo, try to aim for a text size which complements the text you have already entered (try the address text size and see how that works).</p>
<p>Some professions will use a set template or style; for instance doctors and lawyers will use much smaller text sizes for their address information.</p>
<p><strong>Typeface or Typography</strong></p>
<p>Look at your existing business stationery for the typefaces used in their production, because it will help create a brand identity and uniformity of message if you keep everything standardized.  There is a “but” &#8211; some typefaces do not maintain their appearance and style when you reduce the font size while some typeface styles are not suitable for the type of printing methods used in producing business cards.</p>
<p><strong>Content Checklist<br />
</strong><br />
Make sure you have everything you need included on your business card – it is a common mistake to forget something!</p>
<p>Here&#8217;s a handy checklist for you to use:</p>
<p>Company name<br />
Company logo or tagline<br />
Name<br />
Title<br />
Address<br />
Telephone number (office and cell)<br />
Fax number<br />
Email address<br />
Website address</p>
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		<title>Leaflet Design Advice</title>
		<link>http://printdesigntips.com/leaflet-design-advice/</link>
		<comments>http://printdesigntips.com/leaflet-design-advice/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 12:58:18 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=156</guid>
		<description><![CDATA[A leaflet is almost as simple to design and produce as a flyer – the difference between a flyer and a leaflet is that a flyer is usually printed one or both sides, but it is not folded. A leaflet is more akin to a newspaper – it is folded, sometimes with a bi-fold (one [...]]]></description>
			<content:encoded><![CDATA[<p>A leaflet is almost as simple to design and produce as a flyer – the difference between a flyer and a leaflet is that a flyer is usually printed one or both sides, but it is not folded. A leaflet is more akin to a newspaper – it is folded, sometimes with a bi-fold (one fold in the center) or tri-fold (turning the paper into a 3 page pullout.  The leaflet is usually printed on both sides too, but because it is usually one color but has a layout which resembles a newsletter.</p>
<p>The first thing to do when designing a leaflet is to roughly draft out the layout by first folding the paper into the format you are looking for.  Once you have made the paper folds, lay the leaflet draft out flat and number the sections as follows:</p>
<p><center>Page 3	- Page 4 – Front Cover<br />
and<br />
Page 1- Page 2 – Back Cover</center></p>
<p>When folded, the pages will now follow within the leaflet if you follow this scheme.</p>
<p>Next, sketch out the rough layout; place boxes where you will be putting in graphics and images; do you want a border?</p>
<p>You should also think about the color scheme for the paper and text.</p>
<p><strong>Grab Attention!</strong></p>
<p>Target your audience with a real headline grabbing statement – remember your product or service is not what the audience are interested in – it is what your product or service does to solve a problem the prospect audience has which will motivate them to read more.</p>
<p><strong>Use Motivating Words and Phrases</strong></p>
<p>Words such as the following:</p>
<p><center>Powerful	Free	Special		Exclusive	Save</center></p>
<p>These are known as “Power Words” because they are emotive and play to needs of readers.</p>
<p><strong>KISS</strong></p>
<p>Keep It Simple Stupid – use clean lines and avoid clutter within the leaflet.  Focus on the text because that is where the message for the reader will be, not the images.</p>
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		<title>Calendar Print Tips</title>
		<link>http://printdesigntips.com/calendar-print-tips/</link>
		<comments>http://printdesigntips.com/calendar-print-tips/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 14:31:33 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=164</guid>
		<description><![CDATA[Calendars are a great promotional tool for use with clients and prospects – they follow one very important sales rule – they are in front of the client all of the time! If you print calendars up for use with your clients and prospects there are some simple rules to follow when putting the design [...]]]></description>
			<content:encoded><![CDATA[<p>Calendars are a great promotional tool for use with clients and prospects – they follow one very important sales rule – they are in front of the client all of the time!  If you print calendars up for use with your clients and prospects there are some simple rules to follow when putting the design together.</p>
<p>Use Good Quality Materials </p>
<p>You need to have a superior print finish for a calendar to be used by a customer.  They are not going to hang something on the wall if it made from poor quality paper or has a poor print finish.  Do not skimp on the cost of the materials and work with your print partner to deliver the best result for your budget.  It is better to reduce the print run and be more selective in handing the calendars out to people than have a larger print run of poor quality (as many will never be used).</p>
<p>Include an Appointment Book</p>
<p>Making sure there is adequate space to include appointments and key dates is a good tip – make sure you include all the key dates that you can think of.  For instance, if you have a company golf day, have that included but don&#8217;t forget the key holidays and celebrations.</p>
<p>Leave Lined Space at the Bottom</p>
<p>Leave an area at the bottom of the calendar so users can make notes to themselves – you can even have a separate section which has a simplified “to-do” list.  You are making the calendar something that people will see has utility for themselves and this will make them more inclined to use it.</p>
<p>Pick a Theme and Stick with It</p>
<p>Target a theme which is associated with your business, however if you are in a business which is not “glamorous”, you may choose something such as sports, seasons, models or shots from around town.  Many successful amateur calendars have gone on to be world bestsellers simply because they have struck a theme which has universal appeal.</p>
<p>Company Branding &#038; Contact Information</p>
<p>Don&#8217;t forget why you are engaging in this project – to get your brand, your business and your contact information in front of customers and prospects in an ever-ready format which they use everyday.</p>
<p>Make sure that every page has your brand logo and company contact information included on it – you will be surprised at how many draft designs omit this information!</p>
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		<title>Web Design and Print Design Contrasted</title>
		<link>http://printdesigntips.com/web-design-and-print-design-contrasted/</link>
		<comments>http://printdesigntips.com/web-design-and-print-design-contrasted/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 13:16:24 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=158</guid>
		<description><![CDATA[Web design is not the same as print design, though the approach may be similar in terms of the design elements and use of graphics, textual elements and other print/rendition issues. Print design has a tangible substance – you print it and that&#8217;s the finished product. You can see the finished design, handle it and [...]]]></description>
			<content:encoded><![CDATA[<p>Web design is not the same as print design, though the approach may be similar in terms of the design elements and use of graphics, textual elements and other print/rendition issues.  </p>
<p>Print design has a tangible substance – you print it and that&#8217;s the finished product.  You can see the finished design, handle it and take in the physical, sensual design elements, however this is not so for a web based design.  Web based design work is not produced with a physical rendition on paper – it is designed for viewing on a computer screen, using a web browser and both of these factors will affect how the imagery and finished work are rendered to the individual viewer.  In this sense, web design is transitory, it has no permanence in that what you see is what you get every single time, and you certainly cannot handle the finished product (even printing it out is not a true rendition).</p>
<p>For a client looking for help, there is a great deal of difference between a web designer and a print designer.  Many web designers come to the art with a background in print design, however you as the client must be aware of the difference in the medium they are using if you are to get the most out of your budget.</p>
<p>When you look at a print design company, you should be assessing their physical portfolio of products in order top ascertain the print quality, design standards and quality of the finished work.  With a web designer you should not be looking at printed renditions of their portfolio at all, but use a computer and web browser – in fact, look at the websites they have produced using different computers and web browsers to see how their finished product actually looks in real life to the end-user.</p>
<p>Web designers may have a browser they prefer to work with – Safari is the Apple Mac&#8217;s default web browser and many designers prefer to use a MacIntosh for their graphical work because it possesses superior graphic capabilities and applications.  The “but” is that your customers may be like the 98% of the rest of the world who run Microsoft machines, where the default browser is Internet Explorer.  Make sure the web designer is rendering your finished product so it looks good in the web browsers you target or expect your clients to be using. </p>
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		<title>Get Your Ad Noticed</title>
		<link>http://printdesigntips.com/get-your-ad-noticed/</link>
		<comments>http://printdesigntips.com/get-your-ad-noticed/#comments</comments>
		<pubDate>Thu, 03 Dec 2009 21:57:32 +0000</pubDate>
		<dc:creator>Karl</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://printdesigntips.com/?p=144</guid>
		<description><![CDATA[Notice how some ads spring from the page and right into your brain when you turn a page in a magazine? Look again through the newspaper and try to see which ads have a great service of product offering but, they don’t evoke any feeling inside of you to do something about the message they [...]]]></description>
			<content:encoded><![CDATA[<p>Notice how some ads spring from the page and right into your brain when you turn a page in a magazine?  Look again through the newspaper and try to see which ads have a great service of product offering but, they don’t evoke any feeling inside of you to do something about the message they are conveying.  Best of all, get two ads side by side – one which hits you in the gut and one which doesn’t and see what the differences are.</p>
<p style="text-align: center;"><strong>The 40-20-40 Rule</strong></p>
<p>This is a rule from the catalog industry, which believes that successful design comprises 40% good product and service offerings, 40% is preparing the right product list and the final 20% is creativity.</p>
<p>This may seem to belittle creativity and lead you to think you need to find products which “sell themselves”, but actually this is not the case.  Being creative involves understanding and being daring enough to leave out design and product aspects rather than just trying to stuff everything onto the space available.</p>
<p>Do not over face your reader – give them enough to provide a taste of what is on offer – you serve the full course when you have the client ready to make a buying decision!</p>
<p style="text-align: center;"><strong>Always Be Selling!</strong></p>
<p>Advertising is ultimately about selling and the point of your piece is to grab attention and generate interest.  This actually follows form one of the salesman’s acronyms – AIDA – this stands for:</p>
<p>•	ATTENTION<br />
•	Interest?<br />
•	Decision<br />
•	ACTION</p>
<p>In fact, your ad will have to satisfy all four of these conditions because you still need the prospect to make a decision to contact you, and take the conversation you have initiated further down the buying path.</p>
<p>Be Concise and Clear</p>
<p>You never know who is going to read your piece nor what frame of mind they will be in when they first encounter it.  First impressions do count because, it is unlikely that a reader will look at the ad once and then come back to it, unless they have already been stirred by the contents.  Most of what we create is destined for the trash, so maximize the opportunity to get your message across in one instant.</p>
<p>Be brief and to the point.</p>
<p>No clichés or puns and get straight to the point.</p>
<p style="text-align: center;"><strong>Know Your Audience</strong></p>
<p>The more you can find out about your target audience, the more likely you are to tap into trends and fashions which they are more interested in. As a basic minimum, find out the following about your target audience:</p>
<p>•	Simple demographics such as age, sex, employment status, specific common interests;<br />
•	What type of buyer are they – considered or impulse buyers?<br />
•	What application do they have for your product or service –i.e. identify their problem and show you have what they need to solve it;<br />
•	What are their basic needs, desires and fears – in bare terms, human behaviour can be boiled down to response to one of two motivators – greed and fear – simple, crude but very effective; and<br />
•	How do they behave as a group e.g all vote Republican, all go to church, all are active.</p>
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