Print Design TipsTips and Information About Printing

Many printers and designers belive the design is the key to a good piece of printed media, however, this is not the case for many readers looking to find your message within the content – design is critical and the visual impact and style play a great deal in the success of your material but ultimately, do you wish to produce art or send a message that your target market will easily see, read and understand?

A sound principle is to place content first  and design second – assuming you are following this, let’s now concentrate on some design issues.

Inversion Impact

When you read a headline of a newspaper, you will frequently find it has been inverted, that is the headline is in white against a solid, black background.  This leads to a greater visual impact than simply printing teh headline in, say, larger typeface.

This can also be used for grapic imagery and photographs may be particularly effective but you need the help of a skilled designer to garner the most out of such complex imagery.

Less is More

Buy no means are we advocating the minimalist approach but if yiou are trying to pack as much content into one page or one document, you are going to overload your readers.  Marketing and company brochures in particular are prone to this common error and it pays for you to take a huge step back and look at what truly is vitally crucial for your readers to understand and cut out the extraneous pieces of content you are stuffing in.

Work with the Grid

The grid is a design technique for arranging layout and especially for simpler pieces it is best to “Stick with the Grid!”

You don’t need to strictly follow the grid and settle for the staid 3 column layout; try experimenting with different combinations and personally I find the 7-column setup expands the possibilities enormously with sidebars, 2-column overlaps and so on.

Designing your printed materials is something we all must face sooner or later, but whether you are experienced with the process or a first-timer, the results are truly only limited by your imagination and the ability of your printer to render the imagery created.

This is one area where good communications with your printer are essential as there will be some things that to you as the customer may seem a little off the wall and “out there” but to him are pretty straight-forward pieces to create.

To get your creative juices flowing and hopefully help you with your next meeting with your print partners, here’s a few hints and tips for you to use.

Think Outside the Paper

The mind works in funny ways sometimes and one of the quirks you can capitalize on is the m nd w ll f ll  n th  bla ks.

You can use this to your advantage when designing your marketing media so when you are looking at layout, don’t focus simply on what will fit in the space – use the borders too and don’t worry about overlapping the edges.

Paper Standards

Depending on the purpose of the printed communication you are likely to use the established paper sizes bu, there are times when you shouldn’t and there is no reason why you have to follow them religiously.

If you are looking to get your brochure noticed, use a non-standard size so it doesn’t fit precisely into a neat pile of letters and other documents – make sure it overhangs or peeks out of a stack of papers and this will help get it noticed in the sea of junk that everyone accumulates.

Content is King

Foxus on the content – this is where your message is contained and not within the imagery – don’t let design take over your project, it is important but remember people read so focus on that first and make teh design revolve around the content.

Finding a printer who delivers a quality product can be hard enough but finding one who delivers the same standards repeatedly as you order and re-order should not be a life or death issue that takes over daily life.

There are two issues with printing quality – the objective standards that can easily be measured and the more subjective aspects such as color tone, design layout and ideas that flow between you and the print shop.

When you are checking through the work produced, and particularly when you are making your selection for an initial print run, check out the objective issues first as these are straight forward and errors are simply and quickly found:

·         Are the pages in the correct order?

·         Is the binding straight?

·         Have the pages been printed positive with no mishaps with over-printing and the colors merge properly rather than casting color shadows due to misalignment?

·         Have the pages been properly typeset so they are printed with correct margins and footer and header spacing as well as appearing straight and true rather than offset at some angle?

Once you have this out of the way, you have to consider the more subjective issues which for the most part will be dealt with by a combination of your gut feel which will significantly improve over time and the feedback you get from others, especially the readers and users of your material.  In particular, consider the following:

·         Color scheme and mix; how the subtle use of color is brought to bear on your printed materials’

·         The ink coverage on your materials – is it acceptable across the whole spectrum of the publication or medium you are using?

·         Editorial and physical layout – make sure you do not allow the graphics to dominate your written message.

·         Compromises over colors and how your requirements are interpreted, this really comes down to how well you work with your print partner and the quality of communication between you.

This brings about one of the issues you need to consider; if the print quality is not up to the grade what is your position when it comes to getting the printer to accept responsibility for work that is not up to scratch.  You shouldn’t have to be looking over the shoulders of the printer at the shop, nor is it practical – you have every right to expect consistent quality, run after run, no matter where you happen to be situated and if a printer isn’t prepared to step up to your mark when it comes to quality they really have no justification for expecting your repeat business.

When selecting the printing company to cater for your marketing requirements, it is important to familiarize yourself with what products they offer, examine the different print quality, artwork, colors, layout, font and wordage used … promotional brochures must deliver your message with maximum impact, displaying at a glance the professional service offered by your company.  

Both quality and cost can vary significantly so ensure that you have been informed of any special deals that may be on offer, only order large quantities if you are likely to use them all to avoid the risk of a false economy! 

Make sure that the printing company are aware of any important time schedules you may have, and obtain assurance that they can meet any dead-lines. 

The essential Information to include on a detailed draft layout is: your Company name, logo, graphics, photographs, or digital images. Contact details, including address with zip code, web site, email, telephone number (many people forget this one) and remember, your customers will vary in their choices of how to communicate with you so it is important that you cater for their needs.  

Include all services that your company offers but don’t focus so much on what you do and who you are – focus on what problems and needs you can satisfy and solve for your prospects and customers because that is what they are looking for.

When your Brochure is ready for print, consult the printing company design team for advice, after all, it is their expertise that you are paying for!  Most print and design shops that are worth the name will be able to take your brief and information on CD, DVD or email and you can also send a print-out of the artwork for their reference.  This makes sure that everyone is working from the same material and pool of ideas so you are not disappointed when you get the proofs.

It may be easy to find a brochure printing company, but not necessarily an excellent one. Since you will be spending a fair amount of money and want to put your best foot forward, it is important that you find the best company available at a price that you can afford. Take note that the company that prints your brochures in most cases will not be the same company that designs them.

Once your brochure has been designed, it is time to send it off to the right company in order to be printed. The following things should always be kept in mind when choosing your printing company: Quantity, Order, Proofs, and Turnaround.

The quantity refers to the number of brochures that you are going to have printed up at a time. In order to keep your costs as low as possible, you should always order in wholesale quantities. Order refers to the size and design of the brochures. You will want a company that is able to provide you with as many options as possible so you don’t have to limit yourself.

Proofs are the examples that a professional printing company should be able to provide you with. It is important that you see what the company can provide before giving them your money. Turnaround naturally refers to the company’s turnaround time. If you are in a hurry you should make sure the company you are doing business with will be able to get them to you on time.